| 2006 |
MR BIG
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Mr BIG is about the spirit of Darwin, from its transition as a sleepy little town to one of Australia’s fastest growing cities. Featuring Tracks’ Youth Dancers. |
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| 2006 |
ANGELS
OF GRAVITY
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Lured by gravity, Angels descend from heaven, placing foot upon earth. Journey as they swing us around the middle years. |
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| 2005 |
Lajamanu Residency |
Nick Power and Erwin Fenis run week of workshops leading to a performance in this remote Aboriginal Community. |
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| 2005 |
Arafura
Games Opening Ceremony – Main Act
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A commission by the Northern Territory Government to create the Main Act of the Opening Ceremony for this international sports event. |
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| 2003 |
LOCAL
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What does it means to be a true Territorian? And how long does it take? |
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| 2002 |
FIERCE:
THE STORY OF OLIVE PINK
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A meeting between Miss Olive Pink, once labelled “the fiercest white woman in captivity” and the Aboriginal Warlpiri people of the Tanami Desert. |
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| 2001 |
FIERCE:
THE STORY OF OLIVE PINK
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Miss Olive Muriel Pink, once labelled “the fiercest white woman in captivity”. |
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Placement
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A collaboration with Tasmania’s Stompin Youth Dance Company creating a new work and seven ceremonies for Aboriginal community across the island. |
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| 2000 |
OUTSIDE
THE CAMP
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Outside the Camp is a work of fiction based on stories of Indigenous and Non-indigenous people’s experience of Channel Island Leprosarium. |
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TWO FOLD JOURNEY
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A celebration of youth, dance and place. Layering the journey from childhood to adulthood with that of travelling between one culture and another. |
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STICKS
‘N’ STONES
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A community arts project, bringing together youth from different cultural backgrounds to celebrate cultural identities, explore ways of understanding difference and promote racial tolerance. |
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Olympic Flame |
Working in the Aboriginal community of Nguiu, Tiwi Islands, Indigenous dancers welcome the arrival of the Olympic Flame. |
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| 1998 |
THE
LAND THE CROSS AND THE LOTUS
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A reflection on three life journeys; Purukupali the creator of Tiwi culture, the Virgin Mary of Christianity and Siddhartha, the Buddha. |
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Indigenous Dancer/choreographer in-Residence |
Stanley Stanislaus, training with the National Aboriginal Islander Skills Development Association. |
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Kukanarri
Show
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Kukanarri describes celebrations when the whole community comes together This performance dealt with the issues identified by Nguiu community that caused the high youth suicide rate. |
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| 1997 |
BODIES OF LIGHT
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We carry our light inside, shining on those around us. A community responds to issues surrounding HIV/AIDS. |
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4WD
SWEAT DUST AND ROMANCE
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A gutsy evening of entertainment: featuring dancers, music, and four wheel drives. A journey into the heart of the Territory. |
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| 1996 |
THE OPPORTUNITY OF DISTANCE
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Touring a distinctive slice of Territory life in a compelling three-piece performance. |
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| 1995 |
Indigenous Dancer/choreographer in-Residence
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Dorethea Randall– Aboriginal Dancer and Choreographer in residence. |
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| 1994 |
SACRED SPACE
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A multimedia work, blending movement, images and spoken word: The affect remote Aboriginal communities may have on European people. |
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| 1992 |
Indigenous Dancer/choreographer in-Residence
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Dorethea Randall – Aboriginal Dancer and Choreographer in residence. |
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From Little Things Big Things Grow
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Yipirinya Kids Perform. Time passes and the seeds become trees. Echidnas, eagles, goannas, waterholes, airplanes and Michael Jackson. |
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| 1991 |
Mupullbah
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Produced by Corrugated Iron Youth Theatre, adaptation of Mordicia Gerstein’s The Mountain of Tibet. |
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| 1990 |
New Ways Old Ways
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Tracks artists working with Corrugated Iron Youth Theatre. Particular focus on a play written by Selma Sampson Nampijinpa from the community of Lajamanu, The Girl Who Was Taken Away from Her Family. |
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| 1989 |
Visual Arts Residency
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Tim Newth in the Aboriginal community of Lajamanu. Murals and the creation of large banners. |
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| 1988 |
Living in Isolation
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Founding Directors of Tracks, worked on this Corrugated Iron Youth Theatre. First contact with the Warlpiri people of Lajamanu. |
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