| |
An Evening of three dance and mixed media works reflecting the Northern Territory, especially the links with Indigenous Australia. Dorathea Randall was Indigenous Dance Artist in Residence and Karen Sassella was writer in Residence this year thanks to the Australia Council for the Arts.
D-Dreaming, choreographed by Dorethea Randall, is made up of five parts. The first is a solo, related to herself in the spiritual world. Here unseen figures are put into movement showing the relationship with the land and the power it has. " The silence of the bush taught me a quietness of the soul that put me in touch with another world, the world of the spirit." Dorethea Randall 1994
The second part shows Spirits of the bush sending messages and magic to those who are awake, they signify the coming of a new world or of a new life.
Part three is again a solo, relating to the expression of her concept of her own space, and of how her family feels today.
“As the sun slowly fades on the western horizon
It’s rays fire up the evening sky
The gentle breeze blow’in’cross the ocean
Slowly memories fade of those days gone by.” Allen Randall 1993
The fourth part is a duet, the expression of freedom in a sharing space.
The last part is a solo, portraying the inner space.
Me, Myself and Her. Have you ever considered what a dancer does for a living? If not, “Me, Myself and Her” will enlighten you as to some of the experiences had by choreographers Andrea, Bereni and Danielle. It’s bizarre, witty, wild at heart and sensitive. Fasten you seat-belts as this zany trip unravels the many images the mirror on the wall has revealed.
Sacred Space. Choreographers Sarah Calver, and David McMicken, writer Karyn Sassella, and musician Robb Hoad have worked together to create "SACRED SPACE". The material blends movement, images, design, language, music and text.
Sarah, David and Karyn have strong connections to an Aboriginal community called Lajamanu. However, none of them have ever been in this community at the same time. As a result their relationships with the people and the place have developed in different ways. Lajamanu is 950 km away from Darwin, one of the most remote communities in the Territory. The Warlpiri people who live there still maintain a strongly traditional way of life. Whenever we are in this community, we are the minority, constantly being reminded of whose land we are on.
Issues that are raised include; a sense of belonging, identity, ritual or lack of, secret and sacred ceremonial behaviour, strong relationships with people and “family”, health, isolation and distance, materialism and lack of it, sexual identity and gender roles, activity and spare time, story telling, and the brutality of desert life. It is an unusual experience to be a minority foreigner on land that you had previously thought of as your own, as part of your heritage. Suddenly you realise that you have been misinformed and your sense of culture is thrown into high relief.
“Sacred Space” looks at the effect that remote Aboriginal Communities have on European people such as ourselves; physically, emotionally and spiritually.
The artists have looked to these influences and experiences as a basis for a strongly visual work. “White” people often go into communities and assume that they have all the skills. It is less often that they are able to build the relationships that we were privileged to forge. There is no attempt in this work to deal with the Aboriginality itself, rather we are looking at how it has influenced us and the deep insights which remain.
|
