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1999 |
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WALKING ON WATER
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Performance rituals that sooth the passage of death and applauded the miracle of survival in the age of AIDS. |
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SHADES OF PINK
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A meeting between Miss Olive Pink, once labelled “the fiercest white woman in captivity” and the Aboriginal Warlpiri people of the Tanami Desert. |
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Court to Country |
Collaboration with Arafura Ensemble. |
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Side By Side |
Development for 3 new Darwin plays with Darwin Theatre Company (see 2000 Outside the Camp). |
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Top of the Tower |
Creating a new work with the people of Palmerston. |
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Emergence |
Consultancies to Corrugated Iron Youth Arts performance. |
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Australian Youth Dance Festival |
Performed on Magnetic Island 100 Buckets featured Festival participants. |
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Recollections
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A multimedia, intergenerational afternoon for recollections and formation of new memories. |
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Reluctant
Retirees
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This full-length cabaret by the Grey Panthers took us on a journey of two women about to retire. |
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1998 |
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THE
LAND THE CROSS AND THE LOTUS
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A reflection on three life journeys; Purukupali the creator of Tiwi culture, the Virgin Mary of Christianity and Siddhartha, the Buddha. |
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Indigenous Dancer/choreographer in-Residence |
Stanley Stanislaus, training with the National Aboriginal Islander Skills Development Association. |
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Kukanarri
Show
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Kukanarri describes celebrations when the whole community comes together This performance dealt with the issues identified by Nguiu community that caused the high youth suicide rate. |
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Interactions
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Exploring how diverse traditions interact with each other to create new artforms while maintaining their own integrity. |
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Invisible Heroes |
A joint performance with the Arafura Ensemble and Australian Composers. |
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1997 |
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BODIES OF LIGHT
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We carry our light inside, shining on those around us. A community responds to issues surrounding HIV/AIDS. |
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4WD
SWEAT DUST AND ROMANCE
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A gutsy evening of entertainment: featuring dancers, music, and four wheel drives. A journey into the heart of the Territory. |
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Angurugu Community Residency 2
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Wild Things was the second part of a project begun in 1993 working with young people at risk to create a full length community show within this Aboriginal Community. |
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King Lear |
Collaboration with Darwin Theatre Company. |
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Smooth as Gravel |
Youth dance performance created for Corrugated Iron Youth Arts. |
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Healthy
Wealthy and Wise
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The extraordinary adventures of the Grey Panthers go on tour. From bedpans and false teeth to gardening and cardio moves. |
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1996 |
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SIX FEET OVER OR UNDER
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Our bodies carry our past with us, personal sacred spaces moulded by family, people and place. Six feet above, six feet below. |
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NGAPA
– TWO CULTURES ONE COUNTRY
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Nine Australian artists journeyed into the centre of Australia, seven traditional owners and two Tracks artists. Together, they followed the 2000 km Ngapa Jukurrpa (the rainstorm dreaming) path. |
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THE OPPORTUNITY OF DISTANCE
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Touring a distinctive slice of Territory life in a compelling three-piece performance. |
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Bodies of Water |
A Darwin community dance event launching Water Week. |
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1995 |
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BOUNDARIES AND BEYOND |
Remounting of Sacred Space and Silent Thought. |
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HEALTHY WEALTHY AND WISE
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Following the extraordinary adventures of the Grey Panthers. From bedpans and false teeth Followed the extraordinary adventures of the Grey Panthers go on tour. |
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Lafaek Youth Fire Dance |
Lafaek East Timorese youth group create fire dance based on traditional and modern usages of fire. |
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Indigenous Dancer/choreographer in-Residence
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Dorethea Randall– Aboriginal Dancer and Choreographer in residence. |
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Yipirinya – After the Rain |
Following stories of the Yipirinya caterpillar as it makes its way into Alice Springs. |
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1994 |
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SACRED SPACE
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A multimedia work, blending movement, images and spoken word: The affect remote Aboriginal communities may have on European people. |
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OPEN HOUSE 2 |
An exhilarating evening of Community Dance performance. |
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GATHERING GROUND 2 |
From common threads we arrive at the idea of a common ground. |
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My House |
Where we live, the affect on the land, and our relationships. A youth dance tour across the Top End. |
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A Winter’s Tale |
Darwin Theatre Company’s production came to life with a fully choreographed production. |
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Yipirinya – After the Rain |
Following stories of the Yipirinya caterpillar as it makes its way into Alice Springs. |
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1993 |
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LAND
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An Offering of professional dance from the Territory. Silent Thought, As I Am, Chaos. |
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Angurugu Groote Eylandt Community
Residency 1 |
Totemic puppets, music and dance bring together clans of this remote island in an inclusive evening. |
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OPEN HOUSE 1
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An informal evening of Darwin dances in progress. |
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GATHERING GROUND 1
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The call is put out to the Darwin dance communities – come to the gathering ground prepared to show your best. |
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1992 |
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1991 |
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NORTH OF THE BORDER
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Making a move in your direction. New works by Darwin and Guest choreographers tour the Northern Territory. |
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Mupullbah
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Produced by Corrugated Iron Youth Theatre, adaptation of Mordicia Gerstein’s The Mountain of Tibet. |
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1990 |
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THRU’ MOVES
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Reflects the ambiguities of the ancient legends, entwining old and new dance forms capturing our cultural diversity. |
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LAJAMANU COMMUNITY RESIDENCY 2
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Resulting work developed around the image of Goannas and hunting. Utilising circus skills, dance and visuals incorporating their Warlpiri culture and dreamings. |
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Jabiru Community Residency
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Guest artist Debra Batton. Although a little daunted at spending seven weeks in a mining town, I was interested in this dance project as it was flexible and new. |
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New Ways Old Ways
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Tracks artists working with Corrugated Iron Youth Theatre. Particular focus on a play written by Selma Sampson Nampijinpa from the community of Lajamanu, The Girl Who Was Taken Away from Her Family. |
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